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Channel: music for interactive – Page 12 – SonicScoop
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9 Tips for Tracking Bands Live in the Studio

Photo by Flickr user Dave Kobrehel Whether it’s for aesthetic reasons or simply to save money, I’ve seen a renewed desire among musicians to record as a full band in one room with no overdubs. Tracking...

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IK Multimedia Announces AmpliTube 4

IK Multimedia recently announced AmpliTube 4. For those unfamiliar with the virtual guitar and bass tone creator, AmpliTube allows users to search an internal library of virtual guitar pedals, effects,...

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5 Ways to Create More Realistic Bass Lines

Electric bass lends itself well to sampling—but you need to channel a bass player if you want a sampled electric bass part to sound convincing. These tips will help create bass parts where people will...

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Rockruepel Now Shipping Limit.One – Transformer-Based Analog Limiter

The release of Rockruepel’s Limit.One is here. The transformer-based limiter can provide brickwall limiting, and handle mono or stereo sources, while ensuring to maintain the original waveform – no...

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New Plugin Review: AKG BX 20 Spring Reverb by UAD

Many great reverb plugins have come out in recent years. A few of my favorites include Universal Audio’s EMT plates and Lexicon 224, along with the more affordable Valhalla reverbs. While we could...

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For Sale: Avatar Studios

This is NOT a scoop: Avatar Studios is for sale. Unarguably New York City’s signature audio facility, Avatar was first rumored to be available via a minimalist Billboard article that ran on Friday,...

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The Second Life of Nashville’s Studio 19

Recently demolished to make way for a parking lot, this historic Nashville studio has risen from the ashes in a new location, arguably better than ever. The old location of Studio 19 on Nashville’s...

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Audient Now Shipping ASP8000 – 8 Channel Microphone Preamp

Audient is now shipping their ASP8000, offering expansion via ADAT. These eight additional channels features 118 dB AD Burr-Brown converters, Audient’s staple console preamp, and a dash of tone...

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Ears Behind the Gear: Gregory “UBK” Scott of Kush Audio & Sly-Fi Digital

Gregory Scott (aka “UBK”) is the founder of Kush Audio and Sly-Fi Digital. “UBK” is an acronym that stands for “Useless Bank of Knowledge.” It was intended as sardonic and self-deprecating nickname,...

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PreSonus Ships Studio 192 Audio Interface and Studio Command Center

You can get more than ever into a small space. Case in point is the new PreSonus Studio 192 USB 3.0 Audio Interface and Studio Command Center. A 26×32 interface that can record at up to 192 kHz, it...

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Studio Sweet Spot: All Welcome Records – Inglewood, CA

R E S P E C T — find out what it means to sound. That sense of respect is something you’ll find in spades at All Welcome Records. You can sense it between partners, for the principles of audio, and for...

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Mackie Announces CRBT Bluetooth Monitors

For those who may have missed it, Mackie released two new monitors – both with 100% more Bluetooth.   Mackie’s Bluetooth enabled monitors are ideal for casual listening and mixing. Part of their best...

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6 Things Producers Should Consider Before Talking to an Artist About Changing...

Image by Flickr user Jeremy BronsonTalking with an artist about their songs is an exercise that’s fraught with the potential to create distance between a producer and a songwriter. But it can also be a...

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Software Review: Universal Audio Manley Variable Mu Limiter/Compressor Plugin

Under the hood of the Manley Variable Mu In November 2014, when Universal Audio announced that it would release a new software version of the Manley Variable Mu compressor, SonicScoop quickly covered...

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Music Supervisor Ryan Fitch Joins BMG Chrysalis – Why He Moved from Saatchi &...

One of NYC's top advertising music producers does a 180 in his new job.

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Music Supervisor Ryan Fitch Joins BMG Chrysalis – Why He Moved from Saatchi &...

We also have offices in eight core music markets around the world including offices in the UK, Berlin, Spain, and Ireland.   It’s an immersive network and it very much feels like one big team.   I’ve...

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